ZWEED DAIRY

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ABOUT THIS DAIRY

Born in Thailand, Dew (Zweed Dairy) is an editorial and publishing designer based in Wurundjeri/Naarm (Melbourne), currently studying at RMIT University. His practice explores experimental and material-driven approaches to publishing, with a focus on print as both a visual and tactile medium.

Working across artist books, zines, and small-scale publications, Dew is interested in how design can document and preserve everyday cultural narratives. His projects often engage with alternative production methods—such as risograph, cyanotype, and textile-based processes—creating outcomes that extend beyond conventional formats.

With an emphasis on structure, material, and process, his work approaches publishing as a way of thinking, making, and storytelling. Each project is developed through research and experimentation, aiming to produce publications that are not only read, but physically experienced.

His ongoing work explores the relationship between typography, cultural memory, and the material conditions of print, with a focus on small, personal, and often
overlooked stories.



ACKNOWLEDGEMENT OF COUNTRY

acknowledges the Wurundjeri Woi Wurrung people of the Kulin Nation as the Traditional Custodians of the land on which i lives and works. I pays respect to their Elders past and present, and extends that respect to all Aboriginal and Torres Strait Islander peoples.



CV
SELECTED WORK

001—Type Specimen

This specimen book, created for a typography project at RMIT University, explores Franklin Gothic (1902, Morris Fuller Benton). It highlights the typeface’s form, versatility, and historical significance, presenting it through a structured editorial format that balances clarity and typographic hierarchy for contemporary designers.

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002—Cross Culture Book Making

In Cross Cultural Design class, I explored the fusion of Ainu and Thai visual elements to create embroidery covers that are both meaningful and visually cohesive.

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003—Let’s Talk it Out

Let’s Talk It Out is a project that reflects on the fragility of dialogue in times of conflict, drawing from the Cambodia–Thailand border dispute as its context. It explores how language can shift, fracture, and reconnect through movement, emphasising the instability of communication under tension.

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